Stacy Levy (born 1960) is an American sculptor who works with ecological natural patterns and processes, often using water and water flows as a medium. Many of her works address environmental problems at the same time that they make the functioning of the environment visible. Her studio is based in rural Pennsylvania, but she works on projects around the world.
From rivers to runoff, Levy has explored the many facets of water: urban watersheds, storm water, hydrologic patterns and water treatment. Her installation "Calendar of Rain" creates a year-long record of precipitation, collected daily in shimmering glass jars. Her project "Tide Poles" for the City of Yonkers' waterfront incorporates the use of LED technology to visually manifest the ebb and flow of the Hudson River tide. Her projects "Tide Field" and "River Rooms" at Bartram's Garden in Philadelphia offer visitors new ways to become more aware of and engage with changes in the river.
Levy has completed numerous rainwater pieces including a watershed rain terrace for Penn State University's new Arboretum, and a rain garden for Springside School with the Philadelphia Water Department and the Pennsylvania Horticultural Society.
She has public commissions in New York, Seattle, Philadelphia, Tampa, Toronto
Spiral Wetland is an eco-art project supported by the Walton ArtCenter as part of the Artosphere Festival in Fayetteville, Arkansas on Lake Fayetteville.
Spiral Wetland is made with native soft rush, Juncus effusus, growing in a closed-cell foam mat anchored to the lake's floor. The plants help remove excess nutrients like nitrogen and phosphorus from the lake water, and the mat adds shade for fish habitat. Inspired by Spiral Jetty, Robert Smithson's famous earthwork sited in the Great Salt Lake, Utah, this spiral is a working earthwork floating on the surface of the lake.
Hudson River Park Trust with Mathews Neilsen Landscape Architects
33 units 9' wide Marine vinyl, steel, polycarbonate plastic, foam.
The Hudson River, brushing against the concrete and glass of the urban fabric, rises up and down twice a day with the eternal clock of the tides. This tidal activity connects us to the ocean, to the moon and to a daily schedule that is nature's own.
Tide Flowers will register the tidal movement with a simple visual presence of brilliantly-colored flowers blooming at high tide and closing at low tide. Tide Flowers is made up of thirty-three flower units, each with six petals, attached to selected wooden piles on two piers. Twenty-five flowers will be placed in a field-like formation on selected pilings at the end of pier 25, visible from both the path and the new park. Eight additional tide flowers will be attached to pilings closer to the pathway to give park users a hint of the larger field of flowers beyond.
3,000 painted buoys radiate out from the bulkhead of the Point State Park, like an eyelash for the city. The eyelash continuously changes formation in response to wind direction, speed of the currents and boat wakes.
Kept Out consists of a pair of deer exclosures, the fenced areas to keep deer out: one built near the artist's studio in a woodland in Pennsylvania's Ridge and Valley region and the other at the woodlands edge of Schuylkill Center for Environmental and Education in the Piedmont ecosystem. Both sites face a great deal of deer pressure.
Collaboration with Julie Bargmann, Landscape Architect. Robert Deason, Hydrogeologist and T. Allan Comp Historian
Acid mine drainage pollutes hundreds of miles of streams in Pennsylvania. At Mine Number Six in Vintondale, in the coal mining region of south central Pennsylvania, artists, landscape architects, scientists and historians collaborated on ways to treat AMD while interpreting the coal mining history and the passive treatment processes. This project creates a public park and water treatment facility.
Tributaries of the Delaware and Schuylkill Rivers are deeply sandblasted into bluestone paved terrace. When it rains, the rainwater flows into the runnels of the tributaries and then into deeply inscribed Delaware River, creating a watershed in miniature.
The highly polished black stone domes reflect the sky and the clouds formations. Text sandblasted around the domes tells of the types of weather which these cloud formations bring. The white domes have more of evening presence, and their text tells of the moon and stars. As the light fades at dusk, the white domes remain bright while the dark domes sink into the shadows.
Along some of the curves of the path there are also nicely polished smooth round glass pebbles, in variously coloured translucent glass.
"Lotic" in the title refers to river ecosystem.
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